The Carlsbro DM7 Drum Microphone Set is a high quality set of microphones for use with Carlsbro electronic drum kits. The set itself features seven drum microphones including a bass drum microphone, four tom/snare drum microphones, two condenser microphones for overhead and two mic stand clips, not only that the set comes with a protective hard aluminium carry case which includes a foam filled centre, making it ideal to protect your microphones when not in use or when transporting them from gig to gig. Opting to work with professional sets of drum microphones benefits your recording and sound output ten fold and professional microphones really do pick up and deliver the tones and subtleties of your music in such greater depth, it has to be heard to be believed.
Six versatile pads offer a rich array of sounds, while 4 ground-breaking CC pads give real-time control as never before. Expand the possibilities further with an intuitive sampler and powerful 4-track looper, alongside inputs for external triggers and footswitches.
Created to be an indispensable companion for drummers and percussionists, the MPS-10 is a powerful blend of sonic capability and performance control. It features a deep library of 2,350 assignable instruments and more than 3000 high-quality samples that range from dynamically expressive instrument tones with captivatingly nuanced variations based on your strike's intensity, to the essential electric instrument sounds that drive modern drumming today.
Powerful effects
MPS-10 has an incredible default master reverb and filter, further enhanced with two insert and one master effect slot. Effects can be easily toggled for each pad, making intricate tonal changes a breeze.
Looping unleashed
MPS-10 features an incredibly flexible and powerful 4-track looper. With dedicated looper effects, crafting intricate looping phrases is easy. Synchronized settings ensure flawless playback across tracks, and each track can be exported as an audio file!
The CC pad revolution
At the top of the MPS-10 sits four CC pads. These give you a level of control never before seen on an instrument like this. Able to detect the strike position with incredible precision, these pads give you powerful control over parameters such as filtering, EDM-inspired drum rolls, and real-time tonal transformations through versatile MFX functions.
Unlock your creativity
The sampler function within MPS-10 liberates your creativity, allowing effortless importing of user samples. Seamlessly import sounds from a USB flash drive and assign them to any pad, and even replace portions of preset kits to build your own personal sound set.
Developed by the team behind the WaveDrum and Pearl e/MERGE, the MPS-10 provides the ultimate drum pad experience. In pursuit of a combination of durability and performance, a high-quality rubber material was perfected through extensive consultation and trialling with the most demanding professional players. The perfect balance of feel and sensitivity enables drummers and percussionists to express themselves naturally.
The Meinl Percussion Compact Percussion Pad is the perfect addition to any drum setup or percussionist's arsenal. With its compact size of 6 ¼", this pad is designed to easily fit into any setup, allowing for convenient placement without taking up valuable space. Whether you're a professional drummer or a hobbyist percussionist, this compact pad offers a versatile solution for enhancing your performances.
Preprogrammed Sounds
This percussion pad comes preprogrammed with five high-quality sounds, ensuring that you have a variety of options to choose from. With the 9000, SDS & 808 Snare, Tambourine, and Hand Clap sounds, you'll be able to create a dynamic and diverse range of beats and rhythms. These sounds have been carefully selected to provide drummers and percussionists with a versatile tool to explore different genres and styles of music.
Responsive Rubber Surface
The sensitive rubber surface of the Meinl Percussion Compact Percussion Pad is designed to respond to both hand and stick notes with a natural rebound. Whether you prefer to play with your hands or with sticks, this pad ensures that you can achieve a great level of control and precision. The rubber surface not only enhances the feel and response of your playing, but it also helps to reduce unwanted vibrations and noise, allowing for a more focused and precise performance.
Customisable Settings
Equipped with volume and sensitivity controls, this percussion pad allows you to tailor the dynamics and sound levels to suit your specific needs and preferences. Whether you want a soft and subtle sound or a loud and powerful tone, the adjustable settings give you the flexibility to fine-tune your playing experience. This level of customization ensures that you can truly make this percussion pad your own and adapt it to fit seamlessly into your playing style and musical requirements.
Rechargeable Battery and USB-C Connectivity
The Meinl Percussion Compact Percussion Pad is powered by a rechargeable lithium-ion battery, providing you with the convenience and portability to take your music anywhere. The included battery ensures that you can start playing right away, and the USB-C charging cable makes it easy to recharge whenever needed. This means that you can rely on this percussion pad for extended playing sessions or performances without worrying about running out of power.
Versatile Connectivity
Featuring a 6.3mm jack connection, this percussion pad can be easily connected to a drum module, audio interface, or amplifier, allowing for seamless integration into your existing setup. The touch-sensitive pad ensures accurate and precise triggering of the sounds, providing a realistic playing experience. With the added controller for volume, sound selection, and touch response, you have full control over your sound and can easily navigate through the preprogrammed sounds to find the perfect fit for your music.
The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio. Included in the DP7 drum microphone package is the D6, Audix's flagship kick drum microphone, two – D2 dynamic drum microphones for rack toms, one D4 for floor tom, the i5 for snare and a pair of ADX51 studio condenser microphones for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom microphones, and three heavy duty tension fit microphone clips for the other three microphones. Everything is conveniently packaged in a foam-lined aluminium road case for safe keeping when the microphones are not in use.
Audix revolutionized drum and percussion miking by designing instrument-specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for today’s up and coming professionals.
The FP7 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones and the f9 condenser for overheads. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 dynamic microphone is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6, with its extended bass response, is designed for kick drum, bass cabinets, Cajon and other low-frequency instruments. The f9 condenser microphone is intended for cymbals and hi-hat.
Built to withstand the rigours of live stage applications, the Fusion Series microphones are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications.
The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms and floor tom. Perfect for stage or studio, this selection of dynamic drum microphones features exclusive Audix VLM capsule technology offering accurate sound reproduction in very high SPL applications. Microphone clips, mounts and rugged aluminium carrying case are included.
With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.
The D4 is lightweight, compact and easy to position. Used for stage, studio and broadcast applications, the D4 dynamic instrument microphone is designed with a Hypercardioid pickup pattern for isolation and feedback control. The D4 Hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.
What's in the Box?
1 x D4 Instrument Microphone
1 x DCLIP Microphone Clip
1 x P1 Carrying Pouch
General
Transducer Type: Dynamic
Frequency Response: 40 Hz - 18 kHz
Polar Pattern: Hypercardioid
Output Impedance: 280 ohms
Sensitivity: 1.4 mV / Pa @ 1k
Capsule Technology: VLM Type D
Off Axis Rejection: >20 dB
Maximum SPL: ≥144 dB
Power Requirements: None
Connector: 3-pin XLRm
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
The D2 dynamic instrument microphone is used for stage, studio and broadcast applications. It is designed with a Hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 Hypercardioid instrument microphone will perform interference-free.
What's in the Box?
1 x D2 Instrument Microphone
1 x DCLIP Microphone Clip
1 x P1 Carrying Pouch
Product Specifications
General
Transducer Type; Dynamic
Frequency Response: 68 Hz - 18 kHz
Polar Pattern: Hypercardioid
Output Impedance: 280 ohms
Sensitivity: 1.2 mV / Pa @ 1k
Capsule Technology: VLM Type B
Off-Axis Rejection: >30 dB
Maximum SPL: ≥144 dB
Power Requirements: None
Connector: 3-pin XLRm
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
Lightweight, compact and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6's transformer less design, low impedance and balanced output allow for interference-free performance.
Designed, assembled, and tested by Audix in the USA.
What's in the Box?
1 x D6 Instrument Microphone
1 x DCLIP Microphone Clip
1 x P1 Carrying Pouch
Product Specifications
General
Transducer Type: Dynamic
Frequency Response: 30 Hz - 15 kHz
Polar Pattern: Cardioid
Output Impedance: 280 ohms
Sensitivity: 0.8 mV / Pa @ 1k
Capsule Technology: WLM Type E
Off Axis Rejection: >20 dB
Maximum SPL: ≥144 dB
Power Requirements: None
Connector: 3-pin XLRm
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
Physical & Dimensions
Materials: Finish Machined Aluminium / Black Finish
The Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminum carrying case, it provides all the essentials needed to capture a complete drum set. It can also be used for miking percussion, bass and guitar amps, brass, woodwinds and other instruments. All microphones are from the Perception Live series and feature a durable metal casing, rugged spring steel microphone grill, scratch-resistant finish and high maximum SPL capabilities. The set contains: 1 x P2 bass drum microphone, 2 x P17* for overheads, and 4 x P4 for toms and snare. *The P17 is technically identical to the P170 and is not available as a single unit.
What's in the box?
1 x P2 Bass Drum Microphone
2 x P17 Microphones for overheads (The P17 is technically identical to the P170 and is not available as a single unit.)
The C518M professional miniature clamp-on microphone is the ultimate tool for recording of drums and percussion. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the rim of drums or percussion instruments. A special snap-on stabilizer keeps the gooseneck in a defined position. The MPAV from C518M features an integrated, switchable bass cut for adjusting the microphones frequency response.
The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.
The half-cardioid e 901 is the perfect condenser microphone for kick drum. It is highly robust and step-resistant. It benefits from an integrated preamp.
The e 901 is a rugged boundary microphone that handles high sound pressure levels extraordinarily well. Tailored to give the kick drum a highly precise, very dry sound character, the e 901 makes every attack lightning fast and realistic. The positioning of the e 901 in a bass drum couldn't be simpler: just put it in – done. The integrated preamp and gold-plated XLR connector have proven themselves to be exceptionally practical on stage.
The E 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
A dedicated bass microphone, the e602 combines a lightweight high-performance voice coil with a traditional large diaphragm capsule design to deliver very low bass response and fast transient signals. Low frequency extension and mid band attenuation produces an ultra-smooth pre-shaped signal; the microphone may be used without corrective equalisation. There is an integrated stand-mounting adapter, so no stand clamp is included.
General
Sensitivity in free field, no load (1 kHz): 0.25 mV/Pa
Sensitivity in free field, no load (50 kHz): 0.9 mV/Pa
Nominal impedance: 350
Min. terminating impedance: 1 kΩ
Pick-up pattern: cardioid
Frequency Response: 20 – 16,000 Hz
Physical & Dimensions
Dimensions: 153 x 60 (length x maximum diameter) mm.
Weight: 318g.
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